Parris Goebel: Honestly, we started pretty late because we had the "Abracadabra" music video and her SNL performance. So I feel like we started later than we wanted to, about two months before Coachella, maybe even less.
Mayhem! We were all a bit pushed for time. A show on this level, you just never have enough time. It was such a highly produced show. The lighting, the styling. Every look was custom-made. It just felt like no matter how hard all the departments were working, we just didn't have enough time. The day before was a rough run-through. Things were going wrong. I was like, Are we going to pull this off? And then everything just was so smooth. It's one of those "bad run-through, good show" instances. The dancers are the best of the best. When you are working with people who are masters of their craft, when it's show time, everything just falls into place.
During the second weekend of Coachella, there was a microphone issue during Gaga's performance. Did you have a contingency plan for that?
What was the inspiration behind "Poker Face" and the chessboard? Was the Alexander McQueen 2005 show an inspiration?
More details: See here
No comments:
Post a Comment